THE UPROARIOUS BRITISH COMEDY - "NO SEX PLEASE, WE'RE BRITISH" - PERFORMING MAY 15TH-MAY 31ST!!

Judgment at Nuremberg is a powerful courtroom drama that revisits the post‑World War II trials of German judges who used the law to legitimize Nazi atrocities.  

Set in 1948, the play follows an American tribunal tasked with deciding whether these respected legal minds were simply following orders or are personally responsible for crimes against humanity.

As harrowing testimony unfolds—from sterilization cases to imprisonments that led to the camps—the presiding judge grapples with mounting political pressure to “move on” and the moral imperative to confront the past.  

The drama asks whether a nation—and individuals—can claim innocence when injustice is carried out in their name, raising questions about obedience, conscience, and the true meaning of justice.

Abby Mann’s story is best known from the landmark 1961 film Judgment at Nuremberg,  featuring an extraordinary cast including Spencer Tracy, Burt Lancaster, Judy Garland, and a young William Shatner.  

The stage version brings that same emotional weight and star‑studded legacy into an intimate live setting, inviting today’s audiences to sit in the jury box and decide where justice truly lies.

Grease is a high‑octane musical romp through the halls of Rydell High, where hot‑rodding “Burger Palace Boys” and gum‑snapping “Pink Ladies” rule the school.  At the heart of the story is the unexpected reunion of cool greaser Danny Zuko and straight‑laced new girl Sandy Dumbrowski, whose innocent summer romance suddenly has to survive the pressures of peer approval, reputation, and senior‑year drama.

As the gang navigates pep rallies, pajama parties, drag races and the big school dance, Danny and Sandy struggle to decide whether they’re willing to change for love—or if they can accept each other exactly as they are.  

Packed with iconic songs like “Summer Nights,” “Greased Lightnin’,” and “We Go Together,” the show celebrates 1950s teen culture with swagger, humor, and a surprising amount of heart.

The stage musical was inspired by the smash‑hit 1978 film Grease, starring John Travolta as Danny, Olivia Newton‑John as Sandy, and memorable turns from Stockard Channing (Rizzo) and Jeff Conaway (Kenickie), helping to cement the story as one of the most beloved screen musicals of all time.  

This production brings that same rock ’n’ roll energy and star‑making charm to the live stage, inviting audiences to sing along, tap their feet, and relive “those summer nights” in person.

Agatha Christie’s Murder on the Orient Express is a stylish, suspenseful mystery that traps a killer aboard the world’s most famous train.  

Just after midnight, the luxurious Orient Express is halted by a snowdrift, and by morning an American tycoon lies dead in his locked compartment, stabbed multiple times with no obvious way in or out.  With the train stranded and a murderer still on board, legendary Belgian detective Hercule Poirot must untangle a web of alibis and secrets, before the killer can strike again. 

Poirot interrogates a gallery of international suspects—a glamorous countess, a nervous secretary, a stiff‑necked colonel, a formidable American matron, a mysterious governess, and more—each with something to hide and a possible motive for revenge.  

Christie’s classic novel inspired the 1974 movie with Albert Finney as Poirot alongside Lauren Bacall, Ingrid Bergman, Sean Connery, Vanessa Redgrave, and John Gielgud. The 2017 film starred Kenneth Branagh, with an ensemble including Penélope Cruz, William Dafoe, Judi Dench, Johnny Depp, Michelle Pfeiffer, and Daisy Ridley.  

This stage adaptation delivers all the glamour, wit, and twists of those films—live and up close—inviting audiences to ride the rails with Poirot and try to solve the crime before he does.

Barefoot in the Park is Neil Simon’s classic romantic comedy about what really happens after “happily ever after” begins.  

Newlyweds Corie and Paul Bratter have just finished a blissful honeymoon and are moving into their first apartment—a tiny, drafty fifth‑ or sixth‑floor walk‑up in Manhattan with a leaky skylight, no bathtub, and far too much rent.

Corie is a free‑spirited optimist who sees the charm in every imperfection, while Paul is a buttoned‑up young lawyer who prefers order, caution, and central heating.  Their opposing personalities are tested as Corie attempts to spice up their lives by fixing up her anxious mother, Ethel, with their eccentric neighbor Victor Velasco, leading to a disastrous double date on a freezing night that pushes the Bratters to the brink.

Over the course of a few chaotic days, slammed doors, hurt feelings, and one memorable fight, the couple must decide whether they can embrace each other’s differences and meet in the middle—perhaps even learning to run “barefoot in the park” together.  

Simon’s hit play later became the beloved 1967 film Barefoot in the Park, starring Robert Redford and Jane Fonda as the irrepressible Corie.

Nick Dear’s Frankenstein is a visceral, haunting retelling of Mary Shelley’s classic, told through the eyes of the Creature himself.  Born in a burst of lightning and abandoned in horror by his creator, Victor. 

Frankenstein, the Creature staggers into a world that meets his innocence with cruelty, fear, and violence.

Left to fend for himself, he slowly learns to walk, speak, and think, ultimately finding brief kindness with a blind scholar who teaches him language, music, and the meaning of love.  

When that fragile hope is shattered by prejudice, the Creature turns on the man who made him, vowing to force Victor to take responsibility for what he has brought to life.

As Victor and his creation are drawn into a relentless chase from civilized drawing rooms to frozen wastelands, the play becomes an intense confrontation between parent and child, maker and made.  

Dear’s adaptation dives deep into themes of scientific ambition, moral accountability, and what happens when a being capable of love is taught only hatred, leaving audiences to ask: who is the real monster